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Emiko Agatsuma

魂を震わす舞踏をお届け

我妻 恵美子

Butoh Dancer, Choreographer and Director

虫めづる姫君(c)堀田力丸_2.jpg

東京文化会館
虫めづる姫君
​The Lady Who Loved Insects
2025

  • AGAXART 舞踏ワークショップ東京【In person】Butoh Workshop TOKYO 2025
    AGAXART 舞踏ワークショップ東京【In person】Butoh Workshop TOKYO 2025
    石神井公園
    定期的に開催する対面での舞踏ワークショップです。初心者歓迎。ダンスや表現、運動の経験が無くても問題ありません。どなたでもご参加頂けます。講師:我妻恵美子 In person Butoh Workshop for all levels by Butoh dancers, Emiko Agatusma
  • 舞踏ワークショップ 蟠龍寺 Butoh Workshop Vanryu-ji Temple, Tokyo
    舞踏ワークショップ 蟠龍寺 Butoh Workshop Vanryu-ji Temple, Tokyo
    Meguro City
    【AGAXART 舞踏ワークショップ@蟠龍寺】 初心者歓迎!東京・目黒の蟠龍寺で、舞踏の基本から感情・空間を使った表現まで学べる特別なワークショップを開催。我妻恵美子&塩谷智司による実践型レッスン! 3つのセッションを通じて、心と身体を解放し、新しい身体表現を体験しませんか?都会の喧騒を離れ、静寂の中で舞踏を深く探求できる貴重な機会です。今すぐ予約受付中! [AGAXART Butoh Workshop @ Banryuji] Join a special Butoh workshop at Banryuji Temple in Meguro, Tokyo! Open to beginner
  • 【東京文化会館】虫めづる姫君 2025
    【東京文化会館】虫めづる姫君 2025
    Taito City
    舞踏とクラシック音楽で綴る斬新な平安絵巻、待望の再演!

MISSION

Boost Your Creativity!

 

AGAXART enhances people's creativity

through Butoh
 

Workshop

We create opportunities for participants to discover their inner richness and refine their sensitivity through the physical philosophy of Butoh.
 

Creation and performance

We emphasize fieldwork to create new Butoh works that include new insights.
 

Cultural exchange

We actively engage in exchanges with different cultures and work to increase interest in local resources and history both in Japan and abroad.


We contribute to the growth and improvement of physical expression in Japan through our interactions with people.

​edited by Ai katoh

WORKS
click photos

​Media appearances

Artist Statement

My hometown was hard hit by the 2011 Great East Japan Earthquake. I was struck by a strong sense of despondency, but I noticed the regenerative power that grows gradually by helping each other. I didn't speak so much when I went there as a volunteer, but I strongly felt their emotion (sadness, anger, regret, loneliness, hopelessness, hope, etc.) that is not to be talked about.

 

Since then, my working process has changed. I started thinking body experience is more important than knowledge. I want to explore primitive movements in our body that are before languages.

 

In 1999, I met Butoh and was shocked by the method "invites an image into an empty body and the body is moved by it ". Butoh, born in the 1960s, was driven by a sense of inferiority toward Western culture and doubts about existing values, and succeeded in creating a new expression by looking at Japanese culture. I include the meaning of "erase personal limitation" in the white makeup, moreover, expand the possibility by eliminating the ego.

​By being an empty body, I can dance like a baby who doesn't have any language and prejudice.



 

AGAXART Butoh performances and workshops

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